Category: Art

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Philadelphia: Plus A Few Stops Before And After

Lynn and I had been to Philadelphia a few times. We had taken the kids to do the usual touristy things (Liberty Bell and Independence Hall) but we had never spent more than 24 hours there. This time would be different. There were a few new museums we wanted to see, restaurants we wanted to try and most of all a walking tour we wanted to go on.

First thing I have to mention though is how incredibly dirty Philadelphia seemed. I started researching this and it’s been an ongoing problem that doesn’t seem to have gotten any better in posts dating back over a decade. People complain about the trash but nothing seems to have improved! Driving into the city we were baffled by the amount of debris and plastic we saw everywhere. I mean people were even throwing out what looked like a brand new teddy bear! Truthfully it made NYC seem like the cleanest city on earth!

We had tickets to see a new play that weekend but first we visited the University of Pennsylvania to see Louis Kahn’s Richards and Goddard buildings – a medical research lab and classrooms. I’ve found that many of these so-called “modern” buildings of the time (1960) have not weathered well. This seemed in better shape than most but still cement does crumble and steel does corrode.

Dinner that night was at a restaurant we had eaten at before. Stephen Starr’s classic take on a French bistro, Parc, located on Rittenhouse Square, never disappoints. Yes, it’s crowded, yes, it’s noisy, but the food is consistently good. Dinner that night: escargots, lamb shank, cassoulet and for dessert a plate of profiteroles.

In the morning we headed over to the Old City and decided to go on a walking tour of the area. We had never done this before and our guide, Craig, was knowledgeable and fun to talk to. We also learned about some of the buildings we had walked by on previous visits. This time their importance during the creation of the Declaration of Independence and the U.S. Constitution was explained to us.

Of course everywhere you go, the majestic tower of City Hall and tributes to one of the Founding Fathers of this country, Benjamin Franklin, are prominent.

There is also a lot of amazing Greek Revival architecture in Philadelphia. Plus, I’m partial to columns even though I tore down the ones in front of the Red House!

We were introduced to the Second Bank of the United States which now houses a portrait gallery.

And the site of Benjamin Franklin’s original house (now long gone) but memorialized by architect Robert Venturi as a “ghost structure” in Franklin Court.

And lots of statues.

Afterwards, when we went inside the National Constitution Center, there were even more statues! I have to assume these men, important leaders during their day, were built according to their actual height (most seemed quite short). It was fun to walk around their very lifelike forms and look at all the details that were incorporated into the sculpture. Buttons! Shoe buckles! And cravats! (Yes, that’s what ties were called back then.)

Afterwards we walked to Elfreth’s Alley, supposedly the oldest residential street in America. I was happy to see there was not a single piece of trash on this street! And the houses were nicely maintained.

I love the red shutters and matching doors on this house.

Betsy Ross And A Fifth Grade Field Trip

In 1971 after being in Munich for two years, we moved back to New York briefly. I happened to be in fifth grade on Long Island when we had a class field trip to Philadelphia. I remember very little about the trip other than visiting the Betsy Ross house. I found a couple of photographs that I took nearly half a century ago and realized that the decrepit building that was next to her house is no longer.

I also found a photograph of me in front of the house. Look at the blue “dress” coat with big brass buttons (although the sleeves do look a little short) I’m wearing. I decided to crop out of the photograph the other girls I was traveling with that day, but when I looked at the picture, I was the only student who had a camera in her hand! This photograph of me must have either be taken by a teacher or a parent who went along for the ride.

Here’s me today squinting in the sun with my hair nearly the same length! And wearing a blue (and much warmer coat) I purchased over the Christmas holiday.

After Betsy Ross, we grabbed a quick lunch (fish tacos and shrimp po’ boy’s) at Redding Terminal Market (no pictures it was too crowded) and then headed over to see the new Museum of the American Revolution. There was a lot of walking that day.

Dinner that night was at a restaurant I had been wanting to try for a while. High Street on Market is a cute little place with a small but very creative menu. Endive salad with golden beets, blue cheese, pistachios and blood oranges ? House-made agnoletti pasta with cauliflower, chili peppers and walnuts? Cherry pie? It was all pretty good and the only disappointing dish was a minuscule overpriced cheese plate which I won’t talk about.

Eastern State Penitentiary

We had never visited the famous prison and weren’t sure what to expect. They are doing extensive renovation work on the site which luckily didn’t seem to impact our visit at all. Once labeled the most famous and expensive prison in the world, what’s left is eerie and cold inside. Steve Buscemi, the actor, was the narrator on the audio tour as we walked around looking at the various cells and long hallways. We could only imagine what it was like being incarcerated back then.

Here’s a shot of the kind of conditions other inmates were living in (minus the peeling paint and debris on the floor one would hope). And here’s a cell that the museum staff decided to recreate based on newspaper accounts of one of their more famous prisoners – Al Capone.

I mean, look at these pretty luxurious accommodations. Mr. Capone even had a desk and a radio and clean sheets as well as a couple of throw rugs to cover the cement floor!

The prison was huge and I didn’t feel particularly claustrophobic when I was inside even when I looked out the windows.

However, once I went outside and walked along the very high stone walls, the feeling to “escape” (especially when I saw the watch tower) did come upon me.

What do you do after you visit a prison? You go to lunch!

We decided to stop for pizza at the nearby Pizzeria Vetri. We got off to a rocky start with the wait staff (couldn’t get anyone to even notice we were sitting at the counter for a good 10 minutes) but once I got up to make our presence known we had a lovely lunch. They make pretty decent pizzas – one we had was topped with crudo and chunks of mozzarella di bufala. The other was a pie with fennel sausage (and some fennel fronds scattered on top) which I liked. Plus we had a decent version of Caesar salad with anchovies, lots of Parmesan and a hard boiled egg.

Afterwards we could have used a nap (big lunch plus wine plus 60 degree weather) but instead walked over to the famous (or should I say infamous) “Rocky” stairs at the Philadelphia Museum of Art. We even saw a “Rocky” impersonator taking pictures with some tourists. Then we walked around the back of the building to get a view of the Fairmount Water Works complex on the Schuylkill River.

Frank Lloyd Wright

The next morning on the way out of town we stopped to see the only synagogue Frank Lloyd Wright designed. Located in Elkins Park, PA, the Beth Sholom Synagogue is very different (at least in my opinion) than any of his other work. Described as being designed in a “Mayan Revival style,” the roof rises up like a mountain with carved cement-looking stones jutting out on the sides. Unfortunately, there weren’t any tours scheduled that day so we couldn’t peek inside.

Henry Mercer and Fonthill Castle

We had originally intended to stop off in Doylestown, PA, on the way to Philadelphia but decided we didn’t have enough time so we decided to do it on the way home. I had seen pictures of Fonthill Castle and thought it looked a bit strange. Built between 1908-1912, Henry Mercer had the house built entirely out of reinforced concrete. He then filled the castle with Moravian tiles that he designed as well as other tiles and prints that he collected from around the world. There were so many rooms to look at that were literally crammed with (for lack of a better word) – stuff. There were also some amazing staircases, vaulted ceilings and a couple of built-in furniture pieces that I thought were pretty neat. I took quite a few photographs of this “house” so I’ll just share a few of them with you.

Here’s a panoramic shot of the house. Luckily we had a beautiful sunny day which really helped the gray cement structure stand out against the blue sky.

This was the “yellow” room, Henry’s first bedroom in the castle. I love the arches and the columns he made in this room. And look at this crazy ceiling in the next photograph with all those different types of tiles and ceramic pots he had collected.

Then there were the fireplaces, 17 in total I believe.

Besides his enormous display of books, my favorite room was his office. It held four desks! One for paying bills, one for writing (complete with a typewriter), one for drafting and the final one for correspondence. Guess which one this is? (Hint: drafting.)

In fairness, I found this house overwhelming, there was just too much to look at and digest. I found one small tile on the tour though that I found amusing. Was he making fun of himself? Or was it a literal statement of his love of letter writing? Who knows.

Until our next “Let’s Go” adventure.

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Field Trip: Two Museums in Massachusetts

Since Lynn retired from MoMA we don’t visit as many museums as we had in the past. However, now that we live in Central New York, it’s much more convenient to get to places in Massachusetts and Vermont than when we lived on Long Island. Case in point a few weekends ago we decided to have a short overnight road trip to Wiliamstown, MA. We had never been to see The Clark Art Institute in Williamstown and if we had been to Mass MoCA in nearby North Adams, MA, we didn’t remember it.

The morning of our departure, we woke up to an ice storm that made even venturing out of the house difficult (slippery stairs and a car coated in a sheet of ice).

This gave us a later start than we wanted but eventually, after scraping off the ice and navigating some pretty slippery roads, we were on our way.

The Clark Art Institute

I didn’t expect the building to be modern nor the campus (140 acres) to be so large. Besides the museum itself there is a research center and some hiking trails. We were there specifically to see “Travels on Paper” since we are active travelers and like to see where others have been.

Had I paid more attention to the literature on their website I would have realized it was not a contemporary show but rather artists from the late 1770’s to 1880’s! Not wanting to discredit early attempts at photography or charcoal drawings, I was impressed by how difficult it was for people to travel back then. Often getting to such exotic places (Africa, Hawaii, Egypt, Italy) before decent means of transportation was not only lengthy but arduous and often dangerous.

I found myself focusing on the photographs or drawings of places I had been primarily because I was interested in what certain landscapes looked like 100+ years prior to when we had been there. Hence, this charming watercolor of the famous cliffs of Étretat in Normandy by French artist Eugène Edouard Soulès.

Since Lynn and I had been to see the cliffs and the Normandy beaches with our children one year (2003), I was delighted to see that the artist not only had a blue sky, but also a blue ocean view that day! I suppose he could have fudged a little; maybe it had been a gray day then, too, but isn’t it lovely the artist painted these scenes in various shades of blue?

This was our view that day:

A pink and gray sky with some moss-covered gray rocks and gray water. It was perfect.

Even the title of the show, “Travels on Paper” made me think of all the traveling we have done together. And most importantly, how we capture the trip both photographically and often with the written word in blogs such as this one.

As we walked through the show, I found myself repeatedly captivated by places that somehow looked familiar. Had we been there? Or was it a place that looked similar to other sites we had seen.

I loved this watercolor by a British artist I had never heard of, William Gawin Herdman (1805-1882). The piece is titled “Fantasy Archway with Strolling Couple.”

The arch looks almost like a stage set, a prop. Where does the arch lead to? What do the couple see on the other side besides the trees in the distance? The closest I came in my many travels of seeing a similar-looking arch was in Les Baux, in the Provence region of France.

I remember walking around Les Baux one very hot summer day overwhelmed by both the ruins and the heat. Truthfully, I would have preferred to be the woman in the painting, strolling leisurely through the archway, holding the arm of my beloved, even with the long dress!

MASS MoCA

From The Clark we stopped for a bite to eat at a local restaurant then headed into North Adams to visit MASS MoCA. We thought we had been there before but truthfully didn’t remember the building perhaps confusing the venue with Dia Beacon on the Hudson River. I was impressed with the use of the old factory buildings and wish in the town I live in now (on the Mohawk River) that some of the similar-looking factory buildings could be converted to art spaces, too.

Rainy, gray days are perfect for visiting art museums. I love walking through gallery spaces, looking at the often vibrant art on the wall only to peer outside and watch the rain fall or the wind blow things around. There were also old passageways the museum had retained when designing the space that led from one building to another.

One of its first tenants was a company called Arnold Print Works, a manufacturer of printed textiles. The floors we walked on and the big rooms that now house art held large scale equipment back then. We were often reminded of the people who truly labored here. After all it was a factory and accidents often happened with sometimes grave consequences.

We had come specifically to MASS MoCA to see the Annie Lennox show, “Now I Let You Go…” If you are not familiar with Annie Lennox, she is the Scottish singer-songwriter of Eurythmics fame. But first we wandered through some of the galleries. Here are some Sol LeWitt pieces which I’m fond of not only for the use of his bright crayon-like color palette but his geometric forms.

Then we walked into a large hall and got to look at the amazing sculptures of South African artist Ledelle Moe. Her large forms were so engaging and life-like (even in their reclining mode) that even though I know you are NOT SUPPOSED TO TOUCH THE ARTWORK, I struggled to keep my hands in my coat pockets. I wanted to not only feel the forms but run my hands over these figures in hopes of emotionally capturing the incredible strength of her work.

Her work in this exhibit entitled “When” reminded me of the countless monuments we would see not only when we traveled through Europe, but statues with water features we discovered closer to home. This funny looking guy is from a visit last summer to the Sonnenberg Gardens and Mansion in Canandaigua, NY.

And then I saw the heads. They were just hanging on a wall, similar to death masks and looked to be randomly placed. I’m sure the artist wouldn’t welcome my thoughts on “random placement” but I liked this evocative piece immensely.

I thought of our own meager “head” collection at home. Simple clay or wood faces we had picked up along the way when traveling through Italy.

Then there was Jenny Holzer. Lynn was familiar with her work from MoMA but I was not. I found myself mesmerized by her repetitive texts in various languages. Particularly when she writes that “change is the basis of all history.” I love that line. Along with “stale food is repellent” which speaks to my love of cooking.

When we finally got to the Annie Lennox show, I had to walk around it a few times. First to really understand it. The obviously easy part was looking at the “trophy room” filled with awards and copies of her platinum and gold albums.

The more intellectually challenging component was to understand her “mountain” of collective things. There, assembled on what looked like a mixture of sand and gravel, were important pieces from not only her childhood but her children’s too.

The fact that the title of the show “Now I Let You Go” references our inability as humans to discard “things” that often have emotional significance wasn’t lost on me. Lynn and I have moved six times since 1985. Each time we have moved we have managed to throw a bit more away of our “significant things,” thereby reducing our clutter. Except a few boxes that are in the attic right now – our son’s Hess trucks, his wooden train set, our daughter’s favorite stuffed animals plus the dress she wore for her first Christmas. I haven’t been able to “let go” of their childhood just yet even though they are now both adults.

Case in point: how could we ever throw away this note our daughter scribbled on hotel stationery when we were traveling in Florence one summer? The answer is, you can’t.